Ders 2 / 2

Kling AI Kliplerini CapCut ile Kurgulamak | FB Server #2

32:13 · Beginner · EN · 26 adım

Birlikte ilerleyin

Bu derste ne yapıyoruz

İlk bölümde Kling AI ile ürettiğimiz klipleri CapCut ile tek bir fragmana dönüştürüyoruz. Video boyunca Kling AI'ın nasıl çalıştığını ve bu iş için ne kadar para harcadığımı da anlatıyorum. Önce bitmiş klibi izliyoruz, sonra nasıl yapıldığına bakıyoruz.

Bitmiş fragman

Build your server. Own your data. — 1 dakika 43 saniyelik FB Server fragmanı. Ajan Dusk Mars'a iniyor, sunucu için yer buluyor ve Sarah'ya rapor veriyor. Bu dersin sonunda bu videoya nasıl ulaştığımızı adım adım görmüş olacaksınız.

Kling AI'da sahneler ve promptlar

Sahneleri Kling’e gitmeden önce ChatGPT ile yazdım: her sahne ayrı bir dosya, içinde prompt. Fragmanın 9 sahnesinde kullandığım gerçek Kling promptlarının tamamı aşağıdaki Promptlar bölümünde. Kling’e girmeden önce sahne dosyalarınızın hazır olması şart; yapay zekaya vereceğiniz malzeme bu.

Klipleri CapCut'a aktarmak

Kling'den indirdiğim tüm klipler "Kling" adlı tek bir klasörde. Klasörün tamamını seçip CapCut'a içe aktarıyorum. CapCut ücretsiz, hızlı ve bu iş için fazlasıyla yeterli — arkadaşlarım gülse de kullanmaya devam ediyorum.

Sahne 1: Ajan Dusk Mars'a iniyor

İlk sahne: Dusk mekikten iniyor, kumu eline alıyor, mekik havalanıyor. Promptta "Mars boş olsun" demiştim ama arkada bir üs çıktı; bu klibi ileriki bölümler için saklıyorum. Yapay zeka her zaman promptu dinlemiyor, klipleri mutlaka kontrol edin.

Sahne 2: Dusk Sarah'ya rapor veriyor

Dusk, sunucunun ana karakteri Sarah'ya rapor veriyor. Sarah benim tasarladığım bir karakter; oyunun içinde de var. Sahne sırasını yanlış dizmiştim — timeline'da sahneleri sürükleyerek doğru sıraya koyuyoruz.

Yürüyüş sahnesi ve mekiği gizlemek

Dusk yürüyor; mekiği izleyicinin görmesini istemediğim için klibi mekik görünmeden önce kesiyorum ve kararma noktasına kadar geri çekiyorum. Kesme noktası için görüntünün sönümlendiği yeri referans alın.

FB Server nedir

FB Server, kendi ev sunucunuzu kurmayı öğreten açık kaynaklı bir oyun. İlerde iki oyuncunun sunucu kurup birbirini hacklemeye çalıştığı hackathonlar planlıyorum. Bu video serinin ilk parçası.

Matrix, büyük teknoloji şirketleri ve veri

Sahnedeki mesaj: verimizin kontrolü bizde olsun. Şirketlere veri vermeye karşı değilim ama bu veri çok az elde toplanıyor. Bir sonraki klipte Dusk mekiğe dönerken bunu anlatıyor.

Kendi doğruluk kaynağınızı kurun

İnternette yapay zeka ile üretilmiş, gerçekten ayırt edilemeyen içerik gitgide artıyor. Bu yüzden bu bir oyun; ne olduğu belli. Sahneyi timeline'a ekleyip devam ediyoruz.

Yapay zekalı akıllı gözlükler

Bir çift yapay zekalı gözlük gösteriyorum (sponsor değil). Hedefim gözlükleri Sarah'ya bağlamak: bilgisayardan uzaktayken sunucuyu sesle yönetmek ve brifingleri gözlükte görmek. Toplantıda Çince konuşanların çevirisini gözlükte Türkçe görmek gibi.

Mekik kalkış sahnesi ve topluluk çağrısı

Dusk mekikle kalkıyor: "Geliştiriciler, içerik üreticileri, problem çözücüler — geliştirmeye katılın." Bu bir sunucu projesi ama tek başına olmaz; gençlere yapay zeka ile kod yazmayı öğretmek istiyorum.

Yapay zeka hatası: Mars'ta lastik tekerlek

Mekiğin kalkmasını istedim, Kling alakasız bir sahne üretti ve Mars'ta lastik tekerlekler çıktı. Beğenmediğim klipleri final kurguda görünmeyecek şekilde kısaltıyorum. Her klip kullanılmak zorunda değil.

Ham kurguyu baştan izlemek

Tüm klipler sırayla timeline'da. Bir sahnenin araya kaydığını fark ediyoruz; sahne sırasını düzeltiyoruz. Ham kurguyu izlemeden ince kurguya geçmeyin.

Ayak seslerine göre kesmek

Eğlenceli kısım. Dusk yürürken durma hissi olmasın diye adımlarına göre kesiyorum: bir, iki, üçüncü adımda kes. Ses dalgasını büyütüp ayak sesini referans alın; kesilen parçayı üst kanala koyup sesi hizalayın, böylece geçiş "sinematik" olur.

Klipleri üst üste bindirmek

Bir klip biterken konuşma kesilmesin diye bir sonraki klibin sesini önden başlatıyorum: klibi kes, üst kanala taşı, kesim noktasıyla hizala. Görüntü bir sahnede, konuşma diğerinde devam ediyor — sohbet akar.

Hareketi yakalamak

Sarah'nın elinin hareket ettiği kısmı kaçırmamak için klibi birkaç kare geri çekiyorum. Küçük hareketler sahneyi canlı tutar; kesim noktasını hareketin bittiği yere değil, başladığı yere göre seçin.

Sessiz boşlukları kapatmak

Bazı kliplerde ses yok. Klibi kesip iki klibi üst üste bindiriyorum: Dusk mekiğe tırmanırken yeni sahneye geçiyoruz. Boşluk bırakmayın; ya ses ya görüntü mutlaka akmalı.

Yapay zeka hatası: konuşmayan dudaklar

Kling bir sahnede Dusk'ın dudaklarını oynatmamış. Çözüm: konuşmadığı anın üstüne, kameraya bakmadığı başka bir açıyı koyup örtüyoruz. İzleyici hatayı görmez, konuşma devam eder.

Sahne akışını eşleştirmek

Bir klipte mekik itiş yapıyor, diğerinde yapmıyor. İtiş olan klibi öne alıp diğerini kesiyorum; "Join the development" repliğinin üstüne yerleştiriyorum. Görüntü ile ses aynı hikayeyi anlatmalı.

Eksik sesi başka klipten almak

"Your future" repliğinden sonra boşluk var. "Let's build this community together" sesini kesip üst kanala alıyorum ve klibi kısaltıp yerine oturtuyorum. Ses kütüphanesi için CapCut > Audio > Sound effects'e de bakabilirsiniz.

Final fragman

Bitmiş 1:43'lük fragmanı baştan sona izliyoruz. Kesimler, bindirmeler ve gizlenen hatalarla ham kliplerin nasıl tek bir hikayeye dönüştüğünü karşılaştırın.

Kling AI kredileri ve fiyatlar

Bu fragman için 9 sahne ürettim; her 15 saniyelik klip 180 kredi. Önce Standard paketi aldım: 660 kredi ile yaklaşık 3 klip çıkıyor. Sonra Pro plana geçtim (3.000 kredi) ve üstüne kullandıkça öde kredi aldım. Ultra ilk ay 128 $, sonrası yaklaşık 160 $. Sponsor yok, hepsi kendi cebimden.

Klipler herkese açık: indirip kullanın

Ürettiğim tüm klipleri FB Server video kanalına ve GitHub'a yüklüyorum. Kendi videolarınızda özgürce kullanabilir, sahneleri istediğiniz gibi dizebilirsiniz. Bağlantılar aşağıdaki Dosyalar bölümünde.

Kanallarım, web sitesi ve kullandığım araçlar

İngilizce kanal (bu video), Türkçe FB Software Solutions kanalı ve FB Server kanalı. fbserver.net sitesini WordPress + Elementor + Kadence ile Claude ve Trae AI kullanarak canlı olarak yapıyorum; görseller ChatGPT. Bir sonraki bölümde görüşmek üzere.

Bonus klip

Yeni sunucuya taşınma sahnesi: ekip yeni istasyonu ve yeni üniformaları görüyor. Kling ile üretilen ek kliplerden bir örnek.

Bu ders hakkında

FB Server kursunun ikinci bölümünde ilk bölümde Kling AI ile ürettiğimiz kısa klipleri tek bir tanıtım fragmanına dönüştürüyoruz. Video İngilizce anlatımlıdır; aşağıdaki adımlar Türkçe olarak sizi dakika dakika yönlendirir.

Bu derste sahne dosyalarını Kling AI’dan indirip CapCut’a aktarıyor, sahneleri doğru sıraya diziyor, ayak seslerine göre kesiyor, klipleri üst üste bindirerek diyalogların akıcı akmasını sağlıyor ve yapay zekanın yaptığı hataları (yanlış karakter, konuşmayan dudaklar, sahneye giren lastik tekerlekler) kurguda nasıl gizleyeceğimizi görüyoruz. Sonunda 1 dakika 43 saniyelik bitmiş fragmanı birlikte izliyoruz.

Dersin son kısmında Kling AI’ın kredi sistemi ve fiyatları var: 15 saniyelik tek bir klip 180 kredi, Standard paketle kaç klip çıkıyor, Pro ve Ultra planlar ne kadar. Sponsorluk yok; tüm giderler kendi cebimden.

Başlamadan önce

Bu kursun 1. dersi — Kling AI ile Sinematik Sahne (klipler orada üretiliyor)
Kling AI hesabı — Pro plan önerilir; 15 saniyelik klip başına 180 kredi gidiyor
CapCut (ücretsiz) — kurgu için; başka bir editör de olur
ChatGPT hesabı — sahne senaryoları ve promptlar için
Kling'den indirdiğiniz tüm klipler tek bir klasörde hazır olmalı

Bu projeden

Bu ders, FB Server geliştirilirken ortaya çıktı.

Projeyi görüntüle

FB Software SolutionsDers

Ücretsiz hesap oluştur Giriş yap Derslere dön

Videolar ücretsiz. Hesap; dosyaları, promptları ve nerede kaldığını açar.

Bu kursa 10 dosya eşlik ediyor. Ücretsiz bir hesap onları açar.

Ücretsiz hesap oluştur

Bu ders

Sahne 1 — FB-01 iniş, Dusk Mars’a ilk adım (EN, videodaki gerçek prompt)

Cinematic photorealistic science-fiction sequence, 15 seconds. Maintain Agent Dusk’s exact appearance, mature face, hairstyle, black FB orbital space uniform with restrained purple accents, boots, equipment pack and established character identity. Maintain the FB-01 shuttle design from Image 1.

Mars is completely undeveloped wilderness. NO Mars station, NO buildings, NO domes, NO towers, NO established landing pad, NO colony. Only untouched red Martian terrain, rocks, distant mesas and mountains.

OPENING — camera begins outside the FB-01 shuttle just after landing. Low cinematic angle beside the landing gear. Engines power down while fine red Martian dust rolls underneath the spacecraft and drifts across the ground. The hatch opens and warm interior shuttle light spills onto the red terrain.

Agent Dusk appears in the hatch. Camera slowly tilts upward from her boots to her face as she steps onto the ramp. She pauses for a moment, studying the enormous Martian landscape.

CUT — wide rear tracking shot. Dusk walks slowly away from the shuttle onto untouched Mars. The camera follows several meters behind her, slightly low to the ground. Light Martian wind pushes streams of red dust across her boots and around the rocks. Her clothing and loose strands of hair move subtly in the wind. FB-01 remains visible behind her.

CUT — low side angle as Dusk stops and kneels. Camera moves closer. She reaches down with her gloved hand and picks up a handful of Martian soil.

EXTREME CLOSE-UP — red-orange sand slowly falls between her gloved fingers. Individual grains catch the warm sunset light while a thin veil of dust blows horizontally through frame.

FINAL SHOT — camera moves behind Dusk and gradually pulls back into a spectacular wide establishing shot. She rises and stands silently holding a small amount of soil, looking across the enormous untouched Martian valley, distant cliffs and mountains. FB-01 sits far behind her.

End with Dusk small against the immense landscape, clearly evaluating this world as the possible location for the future Mars Server.

Mood: discovery, isolation, responsibility, beginning of something much larger. High-end cinematic photography, realistic Mars terrain, dramatic orange sunset, deep shadows, subtle purple FB suit lighting, volumetric atmospheric dust, natural character motion, realistic scale, smooth camera movement, shallow depth of field during close-ups, epic wide composition for final frame.

No dialogue. No other people. No existing Mars infrastructure. No futuristic city. No established Mars Server. No weapons.

Sahne 2 — Dusk Sarah’ya rapor veriyor (EN)

Create a 15-second cinematic photorealistic science-fiction communication scene using the supplied image as the visual reference. Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB orbital uniform with purple accents, backpack, patches and equipment. Preserve Serra’s established appearance in the holographic communication display.

Mars is still completely undeveloped. The Mars Server has NOT been constructed yet. No Mars base, no permanent buildings, no domes, no towers, no colony, no established infrastructure. Only Agent Dusk, the FB-01 shuttle in the distance, temporary survey equipment, untouched red terrain, rocks, distant mesas and mountains.

Begin with a wide rear three-quarter shot of Dusk standing on a rocky ridge at Martian sunset. Fine red dust blows naturally across the ground and around her boots. Her loose hair strands and equipment straps move subtly in the wind. She studies terrain information on her tablet and raises her radio.

Camera slowly pushes over Dusk’s shoulder as a clean blue-purple holographic communication interface activates beside her. Serra appears live from the FB Server space station. Keep the hologram realistic and restrained, not overly futuristic.

DUSK, calm and professional: “Serra, this is Dusk. I found our site. Stable ground, low radiation, clear solar exposure and good access. Sending the full scan now.”

Show terrain-scan data transmitting from Dusk’s tablet toward Serra’s communication window. Brief insert shot of the potential Mars Server location highlighted on the landscape.

Cut to Serra’s face inside the holographic communication window. Serra speaks with a mature adult female voice, slightly low register, calm, intelligent, measured, confident and authoritative, never robotic, shrill, theatrical or rushed.

SERRA: “Copy that, Dusk. Coordinates received. This looks promising. Good work. Come home.”

Return to Dusk. She lowers the radio, gives a small satisfied nod and looks across the vast untouched Martian landscape. End with a slow cinematic pullback revealing Dusk, FB-01 and the enormous empty valley that may someday become the Mars Server site.

Cinematic camera movement, realistic Martian wind and airborne dust, warm orange sunset, deep shadows, restrained purple FB lighting, realistic holographic reflections, natural body movement, epic scale, dramatic but grounded science-fiction realism. No weapons, no other people on Mars, no existing Mars Server infrastructure.

Sahne 3 — “Build your server. Own your data.” (EN)

Create a premium cinematic 15-second FB Server promotional scene using the supplied Agent Dusk Mars image as the visual reference.

Preserve Agent Dusk’s exact mature facial appearance, hairstyle, body proportions and black FB Mars/EVA uniform with restrained purple illuminated accents. Keep the FB-01 shuttle behind her in the distance.

Mars is completely undeveloped at this point in the story. NO Mars Server, NO base, NO buildings, NO colony, NO towers, NO domes and NO permanent infrastructure.

0–4 seconds — WIDE LOW-ANGLE TRACKING SHOT
Agent Dusk walks confidently toward the camera across the rugged Martian terrain. Camera tracks backward approximately knee-height, creating a powerful cinematic perspective. Her boots disturb fine red dust with every step. Strong Martian wind carries thin streams of sand horizontally across the frame. The FB-01 shuttle is visible far behind her.
Dusk looks ahead and begins speaking naturally:
DUSK: “Build your server. Own your data.”

4–8 seconds — SIDE TRACKING SHOT
Smooth cut to a medium side-profile tracking shot. Camera moves alongside Dusk while she continues walking. Her loose hair strands, equipment straps and suit fabric move subtly in the Martian wind. Orange sunset light catches one side of her face while restrained purple suit illumination defines the opposite edge.
DUSK: “Choose who you trust. Make allies… make enemies.”
On “enemies,” Dusk briefly looks toward the camera with a restrained, knowing expression before looking forward again.

8–12 seconds — FRONTAL MEDIUM CLOSE-UP
Camera moves slightly closer while continuing backward. Dusk remains in motion. Do not have her stop or dramatically pose. Fine dust passes between the camera and Dusk, producing realistic atmospheric depth.
DUSK: “Every decision leaves a mark.”
Allow a very short pause.

12–15 seconds — HERO WIDE SHOT
Camera moves past Dusk and arcs slightly around her as she reaches a high ridge. She slows and turns her attention toward the enormous Martian valley that may eventually become the Mars Server site. Camera rapidly but smoothly pulls backward and upward, revealing Dusk standing against the immense untouched Mars landscape with FB-01 far behind her.
Dusk delivers the final line calmly and seriously:
DUSK: “FB Server isn’t something you simply play. This is not a game.”
End on an epic wide cinematic frame with Dusk small against Mars.

Performance: Dusk is intelligent, experienced and grounded. She does not sound like an advertisement presenter. Her delivery is calm, mature and slightly intimidating, with deliberate pauses and complete confidence. No exaggerated expressions.

Visual style: photorealistic cinematic science fiction, premium feature-film cinematography, anamorphic composition, realistic Martian wind and blowing sand, orange-red sunset, deep shadows, subtle purple FB lighting, realistic footprints and displaced dust, natural body movement, smooth stabilized camera tracking, shallow depth of field in close shots and enormous environmental scale in the final shot.

Important continuity: no existing Mars Server, no Mars station, no colony, no other people, no buildings, no futuristic city, no weapons, no random vehicles. The only human-made structure visible is the FB-01 shuttle used by Dusk to reach Mars.

Sahne 4 — Beacon: “Your server. Your data. Your rules.” (EN)

Create a cinematic 15-second photorealistic FB Server scene using the supplied Agent Dusk beacon image as the visual reference.

Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB exploration suit, purple illuminated accents, patches, backpack and overall identity. Mars is still completely undeveloped. No Mars Server, no buildings, no domes, no towers, no colony.

0–4 seconds: Low cinematic angle close to the Martian ground. Agent Dusk kneels beside the selected server location and presses the FB beacon firmly into the red soil. Fine Martian dust blows naturally across the surface. The beacon begins to glow with restrained purple-blue light.
Dusk says calmly: “FB Server puts control back where it belongs — with the people.”

4–9 seconds: Camera slowly arcs around Dusk from the side as she activates the beacon. A clean holographic site marker rises above it showing the future Mars Server coordinates. Her loose hair and suit straps move subtly in the wind.
DUSK: “Your server. Your data. Your rules.”

9–15 seconds: Dusk stands and looks across the enormous untouched Martian valley. Camera pulls backward and slightly upward, revealing the glowing beacon in the foreground, Dusk beside it, and the FB-01 shuttle far behind.
Dusk finishes: “A step outside the digital matrix we live in today… and toward something we actually own.”
End on the beacon pulsing once while the camera continues pulling back over the landscape.

Tone: intelligent, serious, calm, quietly rebellious, never theatrical. Premium science-fiction cinematography, realistic windblown Mars dust, orange sunset, deep shadows, subtle purple FB lighting, natural motion, realistic holographic reflections, cinematic lensing and strong scale.

No weapons. No other people. No existing Mars infrastructure. No built Mars Server yet.

Sahne 5 — Mekiğe dönüş: “The tech giants own the platforms…” (EN)

Create a cinematic 15-second photorealistic FB Server scene using the supplied image of Agent Dusk walking back toward the FB-01 shuttle on Mars.

Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB exploration suit, equipment pack, purple illuminated accents and helmet. Keep the FB-01 shuttle visually consistent with the reference image. The future Mars Server site has only been marked with a small beacon. No Mars base, no buildings, no domes, no colony and no permanent infrastructure exist yet.

0–4 seconds — REAR TRACKING SHOT
Camera follows several meters behind Agent Dusk as she walks steadily toward FB-01. She carries her helmet at her side. The glowing server-site beacon remains visible behind her in the distance. Strong but realistic Martian wind pushes red dust horizontally across the ground. Her loose hair, equipment straps and clothing respond naturally to the wind.
Dusk begins speaking in a calm, mature, thoughtful voice:
DUSK: “The tech giants own the platforms… and too often, they control the data we create.”
Do not make her angry or theatrical. She speaks as someone stating a reality she has thought about for a long time.

4–8 seconds — SIDE PROFILE TRACKING
Camera smoothly moves alongside Dusk as she continues walking. FB-01 becomes larger in the background. Warm Martian sunset light illuminates one side of her face while restrained purple-blue suit lighting creates a subtle rim on the opposite side. Dusk briefly looks toward the distant landscape.
DUSK: “It’s time to change that.”
Short deliberate pause.

8–12 seconds — FRONTAL TRACKING CLOSE-UP
Camera now moves backward in front of Dusk as she approaches the shuttle. Her expression is confident but restrained.
DUSK: “Build your own server. Control your own data.”
Dust crosses between camera and Dusk, creating cinematic atmospheric depth.

12–15 seconds — SHUTTLE RAMP HERO SHOT
Dusk reaches the illuminated FB-01 boarding ramp. She stops for only a moment and looks back over her shoulder toward the beacon she just planted. Camera shifts focus from Dusk to the tiny glowing beacon in the vast Martian landscape.
Dusk delivers the final line:
DUSK: “Create your own source of truth.”
Dusk turns back toward the shuttle and begins walking up the ramp as the camera slowly pulls away. End with FB-01, Dusk, the distant glowing beacon and the vast undeveloped Mars landscape in the same cinematic frame.

Performance: mature, intelligent, grounded, quietly defiant, confident and conversational. Do not make Dusk sound like a commercial announcer.

Visual style: high-end cinematic science fiction, realistic Martian wind, blowing red dust, orange sunset, deep shadows, restrained purple FB illumination, natural walking motion, realistic cloth and hair movement, anamorphic-style cinematography, smooth tracking shots and premium feature-film realism.

No weapons. No other people. No Mars city. No established Mars Server. No permanent Mars infrastructure.

Sahne 6 — Mekik koridoru: “Red pill or green pill” (EN)

Create a cinematic 15-second photorealistic FB Server scene using the supplied shuttle hallway image as the visual reference.

Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB exploration suit, purple illuminated accents, patches, gloves and helmet. Keep the FB-01 shuttle interior consistent with the reference. The rear shuttle ramp remains open behind Dusk. Mars must remain clearly visible through the ramp: red terrain, distant mesas, sunset light and fine blowing dust outside.

0–4 seconds — FRONTAL TRACKING SHOT
Agent Dusk walks slowly and confidently toward the camera through the compact shuttle corridor. Camera moves backward at the same pace, keeping her centered. Warm orange Mars light enters through the open ramp behind her while cool blue-purple shuttle lighting outlines her suit.
Dusk looks directly toward the camera and says:
DUSK: “Just like in The Matrix, you can take the red pill… or the green one.”
Deliver the line with restrained dry humor, not as a parody.

4–9 seconds — MEDIUM CLOSE-UP
Camera moves slightly closer while Dusk continues walking. She carries her helmet at her side. She briefly glances toward Mars behind her, then back toward the camera.
DUSK: “Stay inside a system built by someone else…”
Short pause.
DUSK: “…or step outside it and build your own.”

9–15 seconds — HERO WALK
Camera lowers slightly, giving Dusk a stronger cinematic presence as she continues deeper into the shuttle. The open ramp and Mars slowly become smaller behind her.
Dusk finishes calmly:
DUSK: “Your server. Your data. Your choice.”
On the final word “choice,” Dusk gives a subtle knowing look toward the camera and continues walking. End with the camera holding on her for a moment while Mars remains visible far behind through the open ramp.

Performance: mature, intelligent, confident, slightly provocative, restrained dry humor. Never theatrical, exaggerated or rushed.

Visual style: premium cinematic science fiction, realistic shuttle interior, reflective metallic surfaces, practical lighting, restrained purple-blue FB accents, warm orange Mars backlight, fine dust moving outside the ramp, natural walking motion, realistic cloth movement, smooth stabilized camera tracking, shallow depth of field and feature-film realism.

No other people. No weapons. No Mars base. No established Mars Server infrastructure. The shuttle is still parked on the undeveloped Martian surface.

Sahne 7 — Kokpit: “FB Server is an open-source project” (EN)

Create a cinematic 15-second photorealistic FB Server scene using the supplied cockpit image of Agent Dusk as the visual reference.

Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB exploration suit, purple illuminated accents, patches and cockpit environment. Keep Mars clearly visible through the cockpit windows. The FB-01 shuttle is still on the Martian surface and is preparing for takeoff.

0–4 seconds — COCKPIT PREP
Agent Dusk sits in the pilot seat and begins preparing the FB-01 shuttle for launch. She reaches forward and activates switches, taps illuminated controls and checks the navigation screens. Instrument panels come alive one by one with restrained blue and purple light.
Dusk speaks naturally while working:
DUSK: “FB Server is an open-source project.”
Camera uses a close three-quarter angle so we clearly see Dusk’s face, her hands moving across the controls, and Mars through the windows behind her.

4–10 seconds — SYSTEMS ONLINE
Cut to an over-the-shoulder cockpit shot. Dusk presses several buttons, moves a control lever and checks launch diagnostics. Screens show systems moving from standby to ready. Subtle vibration begins inside the shuttle as engines start powering up.
DUSK: “And we’re looking for people like you to help build what comes next.”
She glances briefly toward the camera, then immediately returns her attention to the controls.

10–15 seconds — FINAL LAUNCH CHECK
Camera moves into a tighter side close-up. Dusk activates the final launch sequence. Exterior light from Mars shifts across her face as the engines begin to spool up.
DUSK: “Developers, creators, problem-solvers — join the development.”
On the final words, she presses the main launch control. Cockpit lighting changes subtly to launch mode. Engine vibration increases. Dust begins moving outside the cockpit windows. End just before liftoff.

Performance: mature, confident, intelligent and welcoming. Dusk should sound like she is inviting capable people into a serious open-source project, not delivering a commercial advertisement.

Visual style: premium cinematic science fiction, realistic spacecraft controls, practical cockpit lighting, restrained purple-blue FB accents, warm Mars sunset outside, natural hand movements, believable button presses, realistic instrument reflections, subtle engine vibration and feature-film cinematography.

No other people. No weapons. No Mars base. No established Mars Server infrastructure. Only the FB-01 shuttle and the undeveloped Martian landscape outside.

Sahne 8 — Kalkış: “See you on the Server.” (EN)

Create a cinematic 15-second photorealistic FB Server takeoff scene using the supplied exterior cockpit image as the visual reference.

Preserve the exact FB-01 shuttle design and Agent Dusk’s exact mature appearance. Dusk must remain clearly visible through the cockpit window throughout the main part of the shot. Mars is still completely undeveloped. No Mars Server, no buildings, no colony, no towers, no domes, no permanent infrastructure.

0–4 seconds — ENGINE START
Exterior camera positioned low and slightly in front of the shuttle, focused on the cockpit window so Agent Dusk is clearly visible inside. The shuttle engines begin powering up. Blue-white engine lights activate beneath the craft. Fine Martian dust starts moving across the ground. Dusk makes final adjustments on the controls and looks forward.
DUSK: “Let’s build this community together.”

4–10 seconds — HOVER
Engines increase thrust. Powerful exhaust blasts downward, throwing large clouds of red Martian dust around the landing gear. The shuttle slowly rises approximately one to two meters above the ground. Keep the movement heavy, controlled and believable — not a fast launch. Camera slowly tracks backward and slightly upward while maintaining visual contact with Dusk through the cockpit glass.
DUSK: “Your server. Your data. Your future.”
Dusk gives a subtle confident smile while continuing to work the controls.

10–15 seconds — DEPARTURE
FB-01 rises higher into a stable hover. Landing gear begins retracting slowly. Engines produce strong downward thrust while orange-red dust rolls outward across the Martian surface. Camera widens slightly, revealing the shuttle hovering against the enormous Mars landscape while Dusk remains visible in the cockpit.
Dusk looks briefly toward the camera through the cockpit window and says:
DUSK: “See you on the Server.”
The shuttle begins moving gently upward and forward. End with FB-01 climbing into the orange Martian sky while the camera remains on the ground watching it depart.

Performance: Dusk is mature, calm, confident, slightly warm and inviting. The final line should feel personal, like she is speaking directly to the viewer.

Visual style: premium cinematic science fiction, realistic rocket exhaust, volumetric Martian dust, strong heat distortion beneath engines, orange sunset, deep shadows, blue-purple FB lighting, realistic cockpit reflections, controlled spacecraft physics, dramatic exterior camera work and feature-film realism.

No other people. No Mars infrastructure. No city. No established Mars Server. Only FB-01, Dusk and the untouched Martian landscape.

Sahne 9 — Eski Mars rover’ının yanından geçiş (EN)

Create a cinematic 15-second photorealistic Mars exploration scene using the supplied Agent Dusk image as the visual reference.

Preserve Agent Dusk’s exact mature appearance, hairstyle, black FB exploration suit, purple illuminated accents, patches, equipment and helmet. Keep the FB-01 shuttle visible very far behind her in the landscape. Mars is completely undeveloped. No Mars Server, no colony, no modern buildings, no towers, no permanent infrastructure.

0–4 seconds — WIDE TRACKING SHOT
Agent Dusk walks alone across the vast Martian landscape while the camera tracks slowly beside and slightly behind her. Fine red sand blows strongly across the ground in long horizontal streams. Dust moves around her boots with every step. Her loose hair strands, suit straps and equipment react naturally to the wind. The only sound is deep Martian wind, soft sand movement, Dusk’s footsteps and subtle equipment noises. The FB-01 shuttle is barely visible far in the distance behind her.

4–9 seconds — DISCOVERY
As Dusk continues walking, the camera slowly pans to reveal an old abandoned Mars rover partly covered in red dust and sand. The rover should look like an earlier-generation robotic exploration vehicle sent to Mars many years before Dusk arrived — weathered metal, faded panels, dusty wheels, old antennas and instruments, clearly inactive. Do not make it futuristic or FB branded. Dusk passes close beside the rover. She slows slightly and looks toward it for a brief moment, acknowledging the history of earlier Mars exploration, but she does not stop or touch it. Strong wind pushes dust past both Dusk and the rover.

9–15 seconds — CINEMATIC PASS
Camera drops to a low angle beside the rover. The old rover dominates the foreground while Dusk walks past it into the open Martian landscape. Focus briefly shifts from the rover to Dusk. As Dusk moves farther away, camera slowly rises and pulls backward, revealing: the weathered rover in the foreground, Dusk walking alone across the red terrain, the distant FB-01 shuttle, enormous cliffs and mesas, and the orange Martian sunset. End with Dusk continuing toward the horizon while windblown dust crosses the frame.

No dialogue. No music. Audio should be atmospheric and realistic: strong low Martian wind, sand striking metal, boots pressing into dusty soil, quiet suit fabric and equipment movement.

Visual style: premium feature-film science fiction, realistic Martian terrain, dramatic orange sunset, deep shadows, wind-driven red dust, natural walking movement, cinematic lens compression, low-angle photography, slow controlled camera motion, volumetric dust and enormous environmental scale.

The scene should feel quiet and reflective — the old rover represents the explorers who came before, while Dusk represents the next chapter.

Bu kursun diğer bölümlerinde

1 — ChatGPT’yi Kling AI için eğitme (EN)Kling AI ile Sinematik Sahne | FB Server #1

I am going to produce short cinematic clips with Kling AI. Before we start, research how Kling AI works: the clip lengths it supports, how it handles a start image plus a text prompt, which camera moves it can follow, and what it typically fails at. Then tell me how I should write my prompts for it. Remember this for the rest of our work on this project.

2 — Sahne görseli ve script isteği (EN, videodaki prompt)Kling AI ile Sinematik Sahne | FB Server #1

Hi chatgpt create a fight scene between agent Rain and Agent Khoa for me to upload to Kling Ai the scene is going to be 15 seconds , camera must focus on the fighter’s so the viewer can see the fight , but they must respect the church and the people in the holy place i have sent the images of Rain and Khoa and the Church please create the image to be uploaded to Kling ai and the script

3 — 15 saniyelik Kling scriptini isteme (EN)Kling AI ile Sinematik Sahne | FB Server #1

Can I have the 15 second script for Kling?

4 — Kling AI’a yapıştırılan gerçek sahne promptu: Rain vs Khoa, St. Antoine Kilisesi (EN, 15 sn)Kling AI ile Sinematik Sahne | FB Server #1

Create a 15-second photorealistic cinematic hand-to-hand fight between Agent Khoa and Agent Rain using the supplied starting image as the exact character and environment reference.

Character continuity must remain locked. Khoa is the muscular cybernetic fighter wearing black segmented armor with blue glowing cybernetic components and a glowing blue cybernetic eye. Rain is the dark-haired male fighter wearing black tactical clothing with restrained blue illuminated technology. Do not swap their faces, clothing, body types or identities during the clip.

Start directly from the supplied image. Khoa throws the punch seen in the starting frame. Rain blocks and redirects it. Rain counters with two controlled body strikes, Khoa blocks, and they circle each other inside the open center aisle. Khoa throws a powerful hook, Rain ducks under it and briefly catches Khoa's arm. Khoa breaks free using strength. Khoa advances again, Rain redirects him away from the people and church furniture, then delivers one controlled body strike which Khoa blocks. At the end they disengage simultaneously, step several feet apart and face each other in defensive positions with mutual respect.

CAMERA: keep the camera focused on Rain and Khoa throughout. Medium-wide to medium framing. Both fighters should remain visible during the choreography. Smooth cinematic tracking and slight lateral orbit, chest-height camera, subtle push-in during the first half, then settle into a stable medium-wide shot for the ending. No extreme closeups, no rapid chaotic cutting, no shaky camera, no camera spinning around them.

FIGHT STYLE: realistic trained hand-to-hand combat, fast but readable choreography, blocks, counters, pivots, controlled punches and grappling. Strong physical impact without exaggerated superhero movement. No flying through the air. No weapons. No blood or gore.

CHURCH RESPECT RULE: the church is a holy place. Neither fighter damages the altar, pews, stained glass, candles, statues, walls or religious objects. They deliberately keep the fight inside the clear center aisle. People inside the church remain safe and are never attacked, pushed or used as shields. Both fighters consciously redirect their movements away from worshippers and sacred objects. The church must remain completely undamaged at the end.

Cinematic cold blue and restrained red technical lighting mixed naturally with warm candlelight and practical church lighting. Deep shadows, realistic reflections on the stone floor, subtle atmospheric haze, detailed skin, fabric and metal. Keep the atmosphere serious and respectful rather than destructive.

End frame: Rain and Khoa standing several steps apart, still facing one another, both ready but no longer attacking, undamaged church clearly visible behind them.

Bu kursta henüz kod yok.

Kling AI Kliplerini CapCut ile Kurgulamak | FB Server #2

Kling AI Kliplerini CapCut ile Kurgulamak | FB Server #2

Birlikte ilerleyin

Bu derste ne yapıyoruz

Bitmiş fragman

Kling AI'da sahneler ve promptlar

Klipleri CapCut'a aktarmak

Sahne 1: Ajan Dusk Mars'a iniyor

Sahne 2: Dusk Sarah'ya rapor veriyor

Yürüyüş sahnesi ve mekiği gizlemek

FB Server nedir

Matrix, büyük teknoloji şirketleri ve veri

Kendi doğruluk kaynağınızı kurun

Yapay zekalı akıllı gözlükler

Mekik kalkış sahnesi ve topluluk çağrısı

Yapay zeka hatası: Mars'ta lastik tekerlek

Ham kurguyu baştan izlemek

Ayak seslerine göre kesmek

Klipleri üst üste bindirmek

Hareketi yakalamak

Sessiz boşlukları kapatmak

Yapay zeka hatası: konuşmayan dudaklar

Sahne akışını eşleştirmek

Eksik sesi başka klipten almak

Final fragman

Kling AI kredileri ve fiyatlar

Klipler herkese açık: indirip kullanın

Kanallarım, web sitesi ve kullandığım araçlar

Bonus klip

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